Fusing cinematic electronica, expansive techno, emotive downtempo and moody dubstep with experimental sound design and superlative musicality, Noir Electronique goes into deep, dark and atmospheric sonic territory perfect for experimental house and techno, cinematic scoring or post-production work.

Mixing a wealth of synths from the likes of Dave Smith, Arturia and Korg with digital sound design, select live instrumentation (piano, guitars and bass) and unique original recordings, we explore the outer reaches of sound design and audio recording to create a unique collection of sonic tools inspired by the seminal cinematic electronica of Trent Reznor, Nils Frahm and Oneothrix Point Never.

Beats > Instant beat futurism: broken beats, glitchy grooves and splintered rhythms fusing dubstep, house and electronica structures. Offered in a full mix alongside numerous stripped stems.

Bass > Dark drones, fuzzy frequencies, driving analogue riffs, evolving tones and more: serious low-end loops to add soul and drama to any mix. Key-labeled as standard and offered with MIDI where possible.

Melodic Loops > Expansive arpeggios, haunting bells, emotive piano progressions, processed guitars, experimental synthesis and dubby synthscapes: scores of exquisite melodic elements heavy with cinematic splendour and vivid musicality. Key-labeled throughout and served with MIDI where possible.

Pad Loops > Soaring strings, ethereal swells, futuristic ambiences, delicate chords and more: emotive key-labeled loops to add tension, suspense and melancholy.

Textures > Twisted analogue tones, outboard-processed electronics, glitchy layers, solar winds and abstract sonics.

Hits > 140+ finely-tuned one-shot drum samples for ground-up beat creation. A mix of analogue sourced sounds, live drums and exotic percussion all layered and mixed to perfection. Comes with curated drum kits for major samplers.

All our audio samples, presets and MIDI files are 100% royalty-free and can be used in your own productions, releases or compilations as you wish.