Credits:

Various Artists

Description:

One of the greatest rock albums of all time, Paul Simon's Grammy Award-winning album Graceland (released in 1986), has been given a unique 2018 remake. Groove Armada, Richie Ahmed, Paul Oakenfold, MK&KC Lights, Joris Vaughan, Joyce Muniz, Rich Pinder & Joco, Guy Borat, Seaberry Corporation, and Fortec have all added their own interpretations to the classic rock album. The first full-length remix album of the classic rock album. Graceland, which sold 16 million copies worldwide, was a legend in its production. By sampling a variety of sounds and elements of world music, Paul Simon created a masterful blend of pop, rock, and African Zulu ishikatamia and mbakanga dances. Says Richie Ahmed, who did the roaring remix of "Boy in the Bubble," "It's more than just an honor to do a remix of a Paul Simon song."It's my favorite track I've ever worked on. I usually say no! Andy of Groove Armada laughs: "It's a rule we've kept for 20 years. It's a rule we've followed for 20 years. We've kept this rule for 20 years, until we were asked to remix a song from Graceland. This album...opened our eyes to a whole new world of sound. We were allowed to choose our own songs to remix, so we decided to break the code. There's a horn riff in "Call Me Al," and we've been using it in our own DJ sets ever since we tried it at Fais Do-Do's Ballroom in Los Angeles in 1998. It brings the dance floor together beautifully and gets the crowd going. This remix is a natural result of that.The project, consisting of 12 remixes by a wide range of artists representing various dance scenes, including deep house, afro house, drum 'n' bass, and tech house, is overseen by producer and project curator Michael Gaiman, also known as The Duke Of New York. The project is directed by producer and project curator Michael Gaiman, also known as The Duke Of New York. Celebrating the impact Graceland had on the music of the world, it has been 32 years since the release of the original film, which attracted the attention of a very diverse group of musicians. The participation of local South African performers was particularly noteworthy at a time when the Western world was boycotting the country due to the apartheid that divided the country at the time. This cross-cultural exchange, which exposed many listeners to "world music" from different parts of the world, would later become a major force in contemporary electronic music in that it sampled a variety of instruments and field recordings to create bold, nonmainstream compositions. This cross-cultural exchange would later become a cornerstone of modern electronic music in that it sampled a variety of instruments and field recordings to create bold, nonmainstream compositions.

Tracklisting:

1.Homeless [Joris Voorn Remix] - (remix)
2.Gumboots [Joyce Muniz Remix] - (remix)
3.I Know What I Know [Sharam's Motherland Mix] - (remix)
4.Crazy Love, Vol. II [Paul Oakenfold Extended Remix] - (remix)
5.Boy In the Bubble [Richy Ahmed Remix], The - (remix)
6.You Can Call Me Al [Groove Armada Dub Redemption] - (remix)